
Used Surfy Industries Surfy Trem Tremolo Pedal With Box

BROWNFACE
Imagine the incredible tone out of a Fender® 1961-1962 Showman® amplifier (second channel) with its beautiful and sweet harmonic tremolo voice. This has often been called THE tremolo, imitated by many throughout the years, but equal to none. The signal floats on the harmonic wave, moving up and down, alternating highs and lows. It can be compared with the effect of a rotating speaker in a Leslie system. This kind of tremolo has one great feature: it’s dynamic adaptability. When the melody is slow and intense it pushes its vibrating soul and the tone becomes especially rich and deep, but if you change the mood and the sound becomes aggressive and loud, the effect is almost absorbed and stands back, maintaining the full attack of the guitar. In this mode, the extreme dynamics of the tremolo follow the style of playing and enhance the sound without interfering.
BLACKFACE
In 1964 Fender® introduced the Blackface amplifiers series, gaining a cleaner and brighter sound compared to the Tweed/Brownface models. This functionality is also known as "amplitude modulation". This tremolo really stands out when needed and cuts through the mix easily and loudly.
Original: $169.99
-65%$169.99
$59.50More Images





Used Surfy Industries Surfy Trem Tremolo Pedal With Box

BROWNFACE
Imagine the incredible tone out of a Fender® 1961-1962 Showman® amplifier (second channel) with its beautiful and sweet harmonic tremolo voice. This has often been called THE tremolo, imitated by many throughout the years, but equal to none. The signal floats on the harmonic wave, moving up and down, alternating highs and lows. It can be compared with the effect of a rotating speaker in a Leslie system. This kind of tremolo has one great feature: it’s dynamic adaptability. When the melody is slow and intense it pushes its vibrating soul and the tone becomes especially rich and deep, but if you change the mood and the sound becomes aggressive and loud, the effect is almost absorbed and stands back, maintaining the full attack of the guitar. In this mode, the extreme dynamics of the tremolo follow the style of playing and enhance the sound without interfering.
BLACKFACE
In 1964 Fender® introduced the Blackface amplifiers series, gaining a cleaner and brighter sound compared to the Tweed/Brownface models. This functionality is also known as "amplitude modulation". This tremolo really stands out when needed and cuts through the mix easily and loudly.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description

BROWNFACE
Imagine the incredible tone out of a Fender® 1961-1962 Showman® amplifier (second channel) with its beautiful and sweet harmonic tremolo voice. This has often been called THE tremolo, imitated by many throughout the years, but equal to none. The signal floats on the harmonic wave, moving up and down, alternating highs and lows. It can be compared with the effect of a rotating speaker in a Leslie system. This kind of tremolo has one great feature: it’s dynamic adaptability. When the melody is slow and intense it pushes its vibrating soul and the tone becomes especially rich and deep, but if you change the mood and the sound becomes aggressive and loud, the effect is almost absorbed and stands back, maintaining the full attack of the guitar. In this mode, the extreme dynamics of the tremolo follow the style of playing and enhance the sound without interfering.
BLACKFACE
In 1964 Fender® introduced the Blackface amplifiers series, gaining a cleaner and brighter sound compared to the Tweed/Brownface models. This functionality is also known as "amplitude modulation". This tremolo really stands out when needed and cuts through the mix easily and loudly.




















