
British Pedal Company Vintage Series Professional MKII Tone Bender OC81D Authentic Fuzz Guitar Pedal
British Pedal Company Vintage Series Professional MKII Tone Bender OC81D Authentic Fuzz Guitar Pedal
BPC Professional MKII Tone Bender
The BPC MKII Tone Bender OC81D is a detailed replica of the 1966 PROFESSIONAL MK II Tone Bender pedals created by Gary Hurst. The circuit unlike the MK 1.5 had a 3 Transistor circuit which, based on production/supply comprised of either OC75’s or OC81D transistors. This OC81D Loaded MK II can be heard on many Jimmy/Led Zeppelin Tracks such as ‘Whole lotta love’. This was the pedal seen being used by Jimmy on the recent ‘It Might get loud ‘ documentary.
BPC Professional MKII Tone Bender OC81D.
- Aluminum cast casing
- Level and Attack controls
- 3x OC81D Transistors
- As used by the Jimmy Page
- Limited production
- Certificate of authenticity
Many people ask us how each transistor differs in tone. Everyone’s ears are different but here is our small guide
OC75: Bright and high gain, snappy in tone, sounds raspy in a 3 transistor circuit such as the MKI.5
OC81D: Smooth gain lots of saturation
2G381: This is what gives the MKI its sag when you bend a note. They are key to the MKIs Tone.
OC44: Bright and Driven Tone
OC71: More Shrill and Glassy then an OC44
ACY41: Bright, Raspy, and in your face (ideal for fuzz)
2n4061: Silicon-based, used in the Shatterbox for crazy amounts of thick fuzz
Original: $324.99
-65%$324.99
$113.75More Images





British Pedal Company Vintage Series Professional MKII Tone Bender OC81D Authentic Fuzz Guitar Pedal
BPC Professional MKII Tone Bender
The BPC MKII Tone Bender OC81D is a detailed replica of the 1966 PROFESSIONAL MK II Tone Bender pedals created by Gary Hurst. The circuit unlike the MK 1.5 had a 3 Transistor circuit which, based on production/supply comprised of either OC75’s or OC81D transistors. This OC81D Loaded MK II can be heard on many Jimmy/Led Zeppelin Tracks such as ‘Whole lotta love’. This was the pedal seen being used by Jimmy on the recent ‘It Might get loud ‘ documentary.
BPC Professional MKII Tone Bender OC81D.
- Aluminum cast casing
- Level and Attack controls
- 3x OC81D Transistors
- As used by the Jimmy Page
- Limited production
- Certificate of authenticity
Many people ask us how each transistor differs in tone. Everyone’s ears are different but here is our small guide
OC75: Bright and high gain, snappy in tone, sounds raspy in a 3 transistor circuit such as the MKI.5
OC81D: Smooth gain lots of saturation
2G381: This is what gives the MKI its sag when you bend a note. They are key to the MKIs Tone.
OC44: Bright and Driven Tone
OC71: More Shrill and Glassy then an OC44
ACY41: Bright, Raspy, and in your face (ideal for fuzz)
2n4061: Silicon-based, used in the Shatterbox for crazy amounts of thick fuzz
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
BPC Professional MKII Tone Bender
The BPC MKII Tone Bender OC81D is a detailed replica of the 1966 PROFESSIONAL MK II Tone Bender pedals created by Gary Hurst. The circuit unlike the MK 1.5 had a 3 Transistor circuit which, based on production/supply comprised of either OC75’s or OC81D transistors. This OC81D Loaded MK II can be heard on many Jimmy/Led Zeppelin Tracks such as ‘Whole lotta love’. This was the pedal seen being used by Jimmy on the recent ‘It Might get loud ‘ documentary.
BPC Professional MKII Tone Bender OC81D.
- Aluminum cast casing
- Level and Attack controls
- 3x OC81D Transistors
- As used by the Jimmy Page
- Limited production
- Certificate of authenticity
Many people ask us how each transistor differs in tone. Everyone’s ears are different but here is our small guide
OC75: Bright and high gain, snappy in tone, sounds raspy in a 3 transistor circuit such as the MKI.5
OC81D: Smooth gain lots of saturation
2G381: This is what gives the MKI its sag when you bend a note. They are key to the MKIs Tone.
OC44: Bright and Driven Tone
OC71: More Shrill and Glassy then an OC44
ACY41: Bright, Raspy, and in your face (ideal for fuzz)
2n4061: Silicon-based, used in the Shatterbox for crazy amounts of thick fuzz




















