
Electro-Harmonix Oceans 12 Multifunction Dual Reverb Guitar Effect Pedal
The Oceans 12 features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out, splitting reverbs to left and right channels, or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control, an input jack for external expression and footswitch control plus a lot more. The Oceans 12 is a reverb tour-de-force! Check out its reverb types below:
- ROOM – two modes: reverb algorithms modeled after a lively room and a spacious performance hall
- SPRING – two modes: vintage 1962 Fender® 6G15 tube reverb emulation and the spring algorithm from the EHX Holy Grail
- PLATE – two modes: two emulations of the smooth, metal plate reverb often used in high-end recording studios during the 1960s and '70s
- REVERSE – two modes: a reverse reverb effect as well as true reversed echoes
- ECHO - three modes: a digital delay with various echo rhythms feeding into a plate reverb
- TREM – three modes: a classic, periodic volume envelope with various shapes applied to both the wet and dry mix of a hall reverb
- MOD – three modes: combinations of chorus and flange reverbs that create rich reverb tails
- DYNA – three dynamic, experimental reverb algorithms: swell, gate and duck
- AUTO-INF – three modes: auto-infinite reverb (w/optional chorus or flange) that "listens" to your playing and crossfades to a new reverb wash upon detection of newly struck notes
- SHIMMER – two modes: two configurations of a rich octave-shifted reverb wash
- POLYPHONIC – two modes: two configurable bi-directional pitch shifts that add dimensionality to the reverb tail
- RESONANT – two modes: reverb excited by tunable resonators and configurable self-oscillating filters on the reverb tail
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Electro-Harmonix Oceans 12 Multifunction Dual Reverb Guitar Effect Pedal
The Oceans 12 features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out, splitting reverbs to left and right channels, or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control, an input jack for external expression and footswitch control plus a lot more. The Oceans 12 is a reverb tour-de-force! Check out its reverb types below:
- ROOM – two modes: reverb algorithms modeled after a lively room and a spacious performance hall
- SPRING – two modes: vintage 1962 Fender® 6G15 tube reverb emulation and the spring algorithm from the EHX Holy Grail
- PLATE – two modes: two emulations of the smooth, metal plate reverb often used in high-end recording studios during the 1960s and '70s
- REVERSE – two modes: a reverse reverb effect as well as true reversed echoes
- ECHO - three modes: a digital delay with various echo rhythms feeding into a plate reverb
- TREM – three modes: a classic, periodic volume envelope with various shapes applied to both the wet and dry mix of a hall reverb
- MOD – three modes: combinations of chorus and flange reverbs that create rich reverb tails
- DYNA – three dynamic, experimental reverb algorithms: swell, gate and duck
- AUTO-INF – three modes: auto-infinite reverb (w/optional chorus or flange) that "listens" to your playing and crossfades to a new reverb wash upon detection of newly struck notes
- SHIMMER – two modes: two configurations of a rich octave-shifted reverb wash
- POLYPHONIC – two modes: two configurable bi-directional pitch shifts that add dimensionality to the reverb tail
- RESONANT – two modes: reverb excited by tunable resonators and configurable self-oscillating filters on the reverb tail
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
The Oceans 12 features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out, splitting reverbs to left and right channels, or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control, an input jack for external expression and footswitch control plus a lot more. The Oceans 12 is a reverb tour-de-force! Check out its reverb types below:
- ROOM – two modes: reverb algorithms modeled after a lively room and a spacious performance hall
- SPRING – two modes: vintage 1962 Fender® 6G15 tube reverb emulation and the spring algorithm from the EHX Holy Grail
- PLATE – two modes: two emulations of the smooth, metal plate reverb often used in high-end recording studios during the 1960s and '70s
- REVERSE – two modes: a reverse reverb effect as well as true reversed echoes
- ECHO - three modes: a digital delay with various echo rhythms feeding into a plate reverb
- TREM – three modes: a classic, periodic volume envelope with various shapes applied to both the wet and dry mix of a hall reverb
- MOD – three modes: combinations of chorus and flange reverbs that create rich reverb tails
- DYNA – three dynamic, experimental reverb algorithms: swell, gate and duck
- AUTO-INF – three modes: auto-infinite reverb (w/optional chorus or flange) that "listens" to your playing and crossfades to a new reverb wash upon detection of newly struck notes
- SHIMMER – two modes: two configurations of a rich octave-shifted reverb wash
- POLYPHONIC – two modes: two configurable bi-directional pitch shifts that add dimensionality to the reverb tail
- RESONANT – two modes: reverb excited by tunable resonators and configurable self-oscillating filters on the reverb tail
























